Manhunter

Series:  Manhunter
Words: Marc Andreyko
Images: Jesus Saiz
Issue Number: 1-5
Release Date:
Format: Trade Paperback

I am a little late to the Manhunter party. And for those of you familiar with the Manhunter mythos I am talking about Kate Spenser. For those of you who aren't familiar with the name let me just say that the D.C. universe had more Manhunter's then it knew what to do with.

I want to get one thing out there. Manhunter is not perfect. I have read criticisms by others about both the character, her body type and the art work are not the step forward people present it as. Curled Up With a Good Book summarizes the criticisms well especially about how the main character is still overtly sexualized through out the series. And while I do agree with the reviewer from Curled Up With a Good Book that Manhunter is not a perfect feminist character, I do still think she is a step forward.  

Her costume is functional and while tight is not overtly sexualized in design. There are no short skirts, there are no boob windows. There are no painfully high heels. Beyond what she wears both Kate Spenser and Manhunter have actual depth to them and actual flaws that they develop and grow beyond. By day she’s a high powered prosecution attorney fed up defendants escaping justice on technicalities. She is driven. She is assertive. She is failing horribly to balance her life. She deals with the realistic pressures of trying to be a good mother and trying to be a professional working woman. And I like that she does not get everything perfect. There is this very fine balance between making a developed female character who is someone I can relate to and starting to break down and disempowering female characters. I felt that Marc Andreyko balanced her fairly well.

There is some great witty banter in the comic that directly pokes at some of the depictions of other women in the D.C. universe. Especially in terms of how impractical a lot of the female costumes can be for running and fighting.

Also it features back ground LGBTQ characters in a fairly positive (for the most part) and friendly way. Kate’s assistant while a little stereotypical (at points) and not as developed as Kate eventually ends up in a relationship with another D.C. character. I like that it is a happy, healthy and functional relationship. I like that some of the issues around family and their lack of understanding are touched on. It is by far one of the more realistic portrayals of a gay male relationship that I have read in comics.

This series was also my introduction really to the Department of Extranormal Operations. I am not entirely sure why but I adore the DEO. This is odd because I typically end up disliking the government organizations whose goal is to monitor, control and contain.  At times there is some great interactions between the department head Bones and Kate especially in terms of race. Bones (if it wasn’t for his skin and organs being translucent) would be a person of colour. Kate at times tries to use that to pressure Bones into helping her dig into areas that he has clearly ordered her to stay well away from. The play out of a liberal white woman essentially bullying someone of colour to get her way in terms of creating what she thinks should be social change for people of colour (and the consequences) are interesting. Personally I found it slightly reflective of second wave feminisms and some branches of feminism that have come out of that where feminists of power and feminists of privilege try to force their values inappropriately. Like most of the social issues touched on in Manhunter it is very briefly done and it is not perfectly executed but I am pleased to see these conversations start to appear. I am hopeful that we will continue to see more of them.

As a generic comic reader one of the biggest issues that I had with Manhunter was the pacing. In some cases I found that there were huge gaps of time in between the story lines of each trade paper back. During these gaps there are some pretty big shifts and changes. If you are going to pick up the trades keep that in mind going into the story. Manhunter was cancelled by DC in 2006 and issue 2) was supposed to be the end of her run. Due to fan pressure D.C. pushed that back to issue 30 (end of vol. 4). I get the impression that volume 5 of the graphic novel is mostly wrapping up a lot of extra loose ends. It is mostly a look at the characters in the distant future with her son’s graduation. While I was glad to have more things resolved I just felt that it was rushed. I am a little sad that we did not get to slowly explore the stories that got them to that point. However, I am pleased to see that Manhunter will be appearing in some of the post relaunch teams.

I found the strongest volumes to be the first trade and the fourth. I have to admit my love of the fourth may be how heavily it featured Wonder Woman and some outside D.C. storylines that I am familiar with. I probably would not suggest Manhunter as a D.C. starting point. While not essential having back ground knowledge of what is going on in the D.C. universe is helpful. Certainly to get the most out of Volume 4 I would suggest having already read Infinite Crisis

If you are familiar with D.C. and want some stronger female leads then I suggest Manhunter may be a good addition to your collection. Overall I will be keeping my eyes open for this author’s future works.

Batwoman

Series: Batwoman
Words: J.H. Williams & W. Haden Blackman
Images: J.H. Williams
Issue Number: 2
Release Date: In reality October 12, 2011  but our cover reads December
Format: Comic

As soon as I could I was tearing through the pages of Batwoman. The art in this comic continues to be amazing. For issue number two I think that art is even better then the stunning first issue. This is really unfair because it sets a very high standard for other artists. There is this blending of art styles and methods of drawing both characters and backgrounds that set a shifting and effective mood and tone for the comic. During one of the early fight scenes the image of x-rays is used to provide an illustration of how much physical damage is being done in a fight. And you do not have to just take my word for it Comic Book Resources had a preview of the comic (link here) that quite effectively show cases how amazing the art style is for story telling.

If you are a comic book fan you can also enjoy trying to find Warren Ellis' Desolation Jones in one of the panels. A great little Easter egg of sorts for longer term comic readers.

Stepping beyond the amazing art (which alone almost justifies buying this comic or buying Batwoman when it comes out in a trade) is this enjoyable story. It took a while for me to realize but most of this issue is filler and set up and getting the characters to where they need to be. I normally get very impatient with books or comics during these periods. I know I need this information for what comes next to make sense. But I don't want to wait. So usually I end up getting frustrated. Some how though the writers managed to slip me an issue filled with almost all set up and it was so enjoyable that I did not notice or mind. Instead of frustrated I am excited to find out where the story goes.

There is a little bit of relationship development between Batwoman and her side-kick. We get to see the first date with Kate Kane and her love interest Detective Sawyer. And as Detective Sawyer is upset that Batwoman interfered with her investigation in issue one I see foreshadowing for tension and conflict here. Issue two also marks the introduction of the Department of Extranormal Operations setting up all sorts of potential both good and bad. I've only recently become familiar with this department through the Green Lantern film and because it is also featured in Manhunter (which I am currently reading all of the trades of to review).

The only time I was taken out of the story was during an interaction between Batwoman and Batman where he cautions her that sidekicks have a tendency to die and come back as super villains. Being familiar with that back story in Batman's history it came across as a little flippant and a little out of character to me. But it did also get quite the chuckle out of me.

The only big concern I have with the story is the possibility of Batwoman joining Batman Inc. I am not sure if there is a way for that move to be spun with out her losing some of her strengths and some of her development. Currently Batwoman while within the Gotham / Batman universe was not trained by Bruce Wayne, she simply saw his costume and decided to take what she liked and operate on her own. At first her father was the person supporting her, helping with extra training and materials but at this point she has branched out on her own and is now training her own side kick.

The further into the story Batwoman goes the more difficult it is going to be to just pick up the latest issue and read. The story flows from one comic to another building on a foundation. I will update you when this story arch ends and the next starts. It they continue with the artwork and the great stories then this is going to be an amazing trade paperback / graphic novel to own.

If you were going to read just one of the D.C. new 52 in either graphic novel or comic formats this should be the one you get.

Batwoman #1

Series: Batwoman
Words: J.H. Williams & W. Haden Blackman
Images: J.H. Williams
Issue Number: 1
Release Date: In reality September but our cover reads November 2011
Format: Comic

One of the things that sets Batwoman ahead of the rest of the comics out there is the art. If this was a story just told via pictures I would still buy this comic every month and would still buy the trade paper back of it just to see the artwork inside it. J.H Williams is an amazing artist, I heavily suggest having a peek through his website especially the link to his flicker.

Of course the comic also does have words and a story. Luckily the artist is also one of the writers. The art and the story blend together so seamlessly. I loved how the artist makes style differences depending on if he's drawing Batwoman or her alter ego Kate Kane. It really stresses the personality shifts the character goes through when she puts on the mask and goes out.

One of the things that I like a lot about the modern Batwoman as a character is the blending of the supernatural with superheros. I was glad to see this trend continue with the relaunch. It makes for an interesting and refreshing twist on an old style superhero story for the supernatural to make up the primary focus of the villains of a very logical detective style hero with no actual powers. It ends up reading for me more like an urban fantasy that occasionally features Batman and company instead of a more hardcore super hero comic.

Issue one of Batwoman gives snippits of what happened in the pre-relaunch run Batwoman had with Detective Comics. I also adored that book so I am glad to see it still fits within the entire universe. I was sorta bemused that they just decided to ignore the relaunch and keep on going from where they were. But then again if it is not broken why fix it?

I first discovered the Batwoman character when friends of mine started demanding I read about the gay Batwoman who dates police officers. And that was their big hook for me to read the comic. Honestly it sorta worked. When Batwoman started appearing as a lesbian character there were mixed feelings about it some groups were worried it was less about diversity and more about hypersexualizing lesbians to fit into straight male fantasies (see here ). Of course it has also won some awards for having a lesbian character from

For the most part I like how the authors handle Batwoman's sexuality. It's there but it's not hyper sexualized for public consumption. I am hopeful with a little time she will shift from being the LESBIAN character into being a character who is lesbian. Yes there is a difference. As she develops and grows as a character (and she is showing potential signs that she will) then her sexuality will just become one part of who she is rather then how she is defined totally by the people consuming the comics.

I also like that Batwoman was the character chosen to have her back story slightly altered to make her LBTQ. For those of you who do not know Batwoman's history the character was introduced because people thought that Batman was gay. So way back in the day DC introduces Batwoman to act as a love interest and ease those fears.
Now she's the poster girl gay character.

And yes this amuses me endlessly. A character introduced out of homophobia is now the D.C. poster girl for queer inclusion.

I heavily suggest checking out issue one if you can still find a copy since they have already had to go into reprints of it. Otherwise wait for the reprint and have a gander at it if you can. Or if you have far more will power than I do well certainly buy this as a trade paperback.